Nor have I. But my works are mainly ambient, so if I had to describe my experimental stuff, the first that comes to my mind is:
"They're like colours painted into landscape portraits. They're invisible for human's eyes, but audible for human's ears. And if you add them to visible colours, you'll make a picture wealth".
Well, the problem is that I'm very poor in painting with brushes, so I try to paint with sounds.
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