Actually I had to check the picture once again before I wrote my last post to be sure. It's difficult to spot all details and figure out how it works.matt222 wrote:Ah yes, I should imagine your right.
I just seem to remember it had a total note limit that would have been less than the total duration of 5-6-7.
I think you're right. Equinoxe 5's bass is simple, he could loop a couple of steps. Repeat for the duration of the song. Same with Equinoxe 6, the only place where it gets adventurous is the trasition to Equinoxe 7, after that it's smooth sailing once again.radek tymecki wrote:i think matrisequencer was able to make loops or sth like that
Exactly.matt222 wrote:Do we think then , it plays away while Jarre controls the pattern changes , adjusts the octave range, adds a sequence that dictates the glide points and one perhaps for velocity differences and transposes everything on the fly ?
So the sequence that runs through Equi 6 and 7 is a totally spontaneous one that would be impossible to repeat and all subsequent concert plays have been from tape perhaps or would he have had some form of data recording device that the unit could read ?