This sounds a lot better than the preview samples on several websites. Wow.
Yes, this is correct. I always throught that JMJ signed with Motors/Dreyfus after Francis Dreyfus listened to Oxygene in 1976 and decided to take a risk on an instrumental album... no singer, no drummer, 7-8 minute long tracks ... that several other record labels had rejected. That was always the folklore story that got told about JMJ's breakthrough album.
Yeah, I also checked the recording of the 1973 vinyl, there's definitely noise there. The cut is brutal, on the album it's much more mellow.nexxxus wrote: Fri May 02, 2025 1:18 pm I didn't notice on the vinyl, but on "Free Floating Anxiety," around the one-minute mark, on the left channel, noise sound appeared. I mean, compared to the "Rarities" CD edition.
What do you think it is?
and what a brutal cut at the end!!!
Jarre was a close school friend of International Manager of Disques Motors who introduced him to Francis Dreyfus; Francis accepted to sign an exclusive songwriter contract + recording contract with Jarre.Richard-Eastham wrote: Fri May 02, 2025 3:54 pmYes, this is correct. I always throught that JMJ signed with Motors/Dreyfus after Francis Dreyfus listened to Oxygene in 1976 and decided to take a risk on an instrumental album... no singer, no drummer, 7-8 minute long tracks ... that several other record labels had rejected. That was always the folklore story that got told about JMJ's breakthrough album.
But turns out JMJ was signed to the Motos/Dreyfus label at least three years before Oxygene, and was already well known to Francis Dreyfus.